Thursday, November 08, 2007

THE SANDBOX POEM



Prelude

In a color negative to the beginning
In a color bluer than the start
In a color reconfigured for the therapist:
a color scheme for art

THE THERAPIST REFUSES TO INTERPRET
but prefers her patients
to own the objects for themselves. Yes, it is for them to figure out.
So all I did was turn the color inside out.
All I did was turn the color inside out.

From the Dark Room:

Big-eyed dazed girl is sinking her star into the sand.
Snakes curl candy whips yin yang her.
The sheep inky black, licorice dark, a night-bred captive.
He is shrouded by the blue sand. She does not herd
Him: she too is like the black sheep.

BAA BAA BALOO.

Pie-eyed Japanese sex toy girl is dazed with snake poison.
Night falls and they surround her big dream-head.
Eyes hugely spiraled with pupils and black void.

She has buried the dreams – like particles or atoms – into the
sea-sand. SMASH. Will they explode into star-songs?

SUBMARINE. SUBCONSCIOUS LIKE THE STARFISH
With four arms SHE DREAMED HERSELF ONCE IN NEW YORK.

The lavender electric car will take her WEST to a new age OR
California road RAGE.

The cobalt blue nest is her mother’s heart and emptiness: both –
the dry straw, the perfect circle.

A battle for the past at the edges and the saddest is the fairy fallen,
her voice faded from her hostesses’ fear.
One sky blue boot hangs delicately in the air. Her wings
Maple-SYRUPY patterns
mangled. She flew on pancake saucers. She defied the grave.

A sorcerer outsees unanimities.
His cranked hand juts out of a black robe conjuring waves
of energy. Hoodoo energy. Zoom-impacted waves.
Whoosh, hoosh & sizzles, sinks, mushroom-like.

The horse, an echo of her beat, is now like chalk white, lightening
in front of the pine cone who stands for her father;

A LITTLE ICON OF SPEED NOW FROZEN IN SEA-SAND.
But best of all, and OUT OF TIME, are the turquoise stones – once the BORDER-LINE between past and present –

now pink-spotted eggs. As if to be eaten: sugary and plump.

Maybe there is a chance for the star-based big-eyed daze girl.
Maybe there is a chance of elevation for the big-eyeD Japanese sex-toy who sings.

Signs of life in the sand. Or is it just my imagination?
School teacher of non-object lesson, plant of well-being.
What’s the point but the picture?
What’s the point but to DIG IN.

Lo Galluccio

No comments:


Sarah Hannah 1967-2001

STRANGE ANGELS

STRANGE ANGELS

Laurie Anderson The Dream Before (for Walter Benjamin) lyrics


"Hansel and Gretel are alive and well And they're living in Berlin She is a cocktail waitress He had a part in a Fassbinder film And they sit around at night now drinking schnapps and gin And she says: Hansel, you're really bringing me down And he says: Gretel, yu can really be a bitch He says: I've wated my life on our stupid legend When my one and only love was the wicked witch. She said: What is history? And he said: History is an angel being blown backwards into the future He said: History is a pile of debris And the angel wants to go back and fix things To repair the things that have been broken But there is a storm blowing from Paradise And the storm keeps blowing the angel backwards into the future And this storm, this storm is called Progress."

Laurie Anderson The Dream Before (for Walter Benjamin) lyrics




Tony on Sherman St.

Mary Louise Parker

Mary Louise Parker
Good Witch of "Weeds" TV

Goliath's Head

Goliath's Head
Caravaggio

MEMORIAL DAY by Lo Galluccio

I might have stood with my Mother

on Sparks Street cheering the veterans of America’s

just and unjust wars

march past,

weeping for my Dad who died

jaundiced in the infirmary of society

not on the opera bloodied battlefield.

Instead into the cold confines of

film spectacle to see young Scandinavians

wrestle with writing and go mad,

jumping into the cold cobalt sea

off Oslo piers--

Two days ago Caravaggio’s dead Madonna

in crimson cloak crossed my mind as a Reiki healer

pulled my ear lobes. The church rejected

her because she was so heavy and lifeless,

daring to lie there dead,

not asleep for ascension’s sake--

That day I left behind my watch and black wrist band.

Strange, he’d made me undress--

the badboy of the Renaissance who loved his sword

and put his head into Goliath’s -- eyes bulging

with crazed fury, held by David’s victorious angelic fist.

To be today, not to be seen, to swear allegiance

to something else.